After three weeks, three cities and 64 shows, the new Range Rover Evoque has been well and truly launched to the public.

Starting in Earl's Court, London, then to the NEC in Birmingham and finishing at the GMEX in Manchester, the show was designed to cause hysteria amongst the invited guests with fast paced music, energetic dancers and attractive models.

The show was produced by Doll Events and managed by Paul Devine who  called upon Delta to provide the surround sound system, ELP to supply lighting, ERP to install the laser system, Stage One to implement the automation and XL Video to realise the complex video requirements.

From a technical standpoint alone, this has to be one of the most impressive car launches to date:

The guests enter what appears to be an enclosed cinema area with raked seating and a large projection screen with the words "Evoque LIVE" on, all surrounded by blue set panels.

Once seated and the big green button is pushed, the lights dim and mechanical and atmospheric noises are heard all around. The message on the large projection screen disappears and the raked seating starts to rotate to the left. As the guests are rotated, video images of flocking birds follow round on what are now realised as 18 more projection screens.

When the audience is facing 180 degrees from where they started, a stunning cityscape appears with wireframe images of the Evoque driving through. The city scape is then covered with rain and as it is, some of the screens begin to move away from the crowd revealing men in black striking poses in silhouette.

Following this dramatic introduction there are three sections to interpret each of the three specifications available:

"Pure" is shown with the screens all fully retreated in white forming a background for the first wave of models, all dressed in white.

"Dynamic" starts with the crowd rotating left to reveal three men in red, backed by a sunset. After a change in music they break pose and perform a variety of impressive free running moves around the stage area with the audience rotating to follow. The performance is then handed over to the dancers who perform an energetic routine to a fast paced and catchy track with the screens showing 18 different video clips of the car driving around a city. This culminates in the dancers grouping together centre stage and lowering down to the floor.

"Prestige" is represented by a ballet dancer who is revealed as the dynamic dancers reach the floor who then glide away across the stage. She performs a solo piece and then interacts with the two male dancers either side of stage. The ballet is backed by images of the dancer herself surrounded by smoke with only 6 of the screens retreated. This is followed by another show from the models, now in evening attire.

The show finishes with the dancers returning to the stage to more energetic music backed by a medley of images from the previous sections. They are then joined by the models and free runners who all run round either side of the audience to where the larges projection screen was. As the audience is rotated back to their start position it becomes apparent that the screen has gone and behind it are two Range Rover Evoques, back lit with intense white and surrounded by the performers.

Basic Monkey provided two of the four Catalyst media servers required to drive the 19x projectors, the content for which was created by Colin Rozee in collaboration with Nigel Catmur who designed the slick and impressive lighting.

James was on site to manage the video team of Jim Fisher (Projectionist) and Alex Roberts (Assistant Projectionist) for Tim Riley at XL Video. James was also tasked with taking the content from Colin and 'pixel bashing' it to work across the 4x Catalyst machines.

The show was run using timecode, meaning that the sound, lighting, video, lasers and automation would always remain in sync and be the same for each show.

Hopefully we'll get the chance to work on the next big Land Rover launch.

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This week sees James in Earls Court for the first leg of a three week tour to release the new Range Rover 'Evoque'.

The launch will be one of the most adventurous ever seen with a huge amount of video, lighting and automation.

James is looking after the video aspects of the event for Tim Riley at XL Video, utilising 4x Catalyst media servers including two of Basic Monkey's own and a huge rack of processing gear to drive the 20x Barco projectors.

We can't give away too much at this time but if you get the opportunity to see the show and the car, please do, you will be far from disappointed.

Please stay tuned for more updates and photos after the run comes to an end.

ITV's National Movie Awards this year came from Wembley Arena where thousands of invited celebrities and guests were treated to performances from Take That, JLS and Eliza Doolittle.

XL Video supplied projected side screens and a large rear projection screen integrated into the set and driven by 3x Barco FLM HD20s.

James was on site to look after the media server and control hardware for Jonathan Bond who operated the show.

The projectors were rigged by Kevin Parry and Bjorn Parry, along with James who lined up the rear projection system.

Basic Monkey provided a Catalyst media server to run the lectern video loop, the safest solution!

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Tonight was the recording of Jason Manford's new DVD, due out in November, at the MEN Arena in Manchester.

XL Video supplied Pixled F-30 for Jason's backdrop, driven by Catalyst. Using Catalyst's frame blending and colour adjustment capabilities, a slow and subtle moving look was generated for the show with a more lively look for his walk-on.

As a break from James' usual travels, this show is on home turf, not for long though!

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Today was the last in a 5 day run for the Gadget Show Live 'Super Theatre', concluding what has been a busy and interesting show.

Following on from last years success, Tim Riley at XL Video was asked to provide Barco NX-6 screens in the auditorium for camera relay and a large Pixled F-30 screen as a set centrepiece.

This was all driven by Basic Monkey's own 'Gorilla' Catalyst system, triggered using our Jands Vista S3.

As usual, it was important for the show to be using the latest in technology. This was apparent not only in the performance, but in the production of the show itself.

For the interactive sections which included a virtual presenter, flash game and flying drones, Inition provided us with feeds from three separate computers. This, in addition to the live MMS and photo competition which accounted for another two laptop feeds, led to a rather complex setup!

All these inputs were fed into 2x Barco DCS-200 switchers which in turn were controlled via Catalyst network serial commands. This meant that the entire video element (excluding cameras of course) could be triggered from one timeline and by one person (in this case James), eliminating the need for a VT operator, switcher and graphics operator.

For the audience competitions, winners and live scoreboards were rendered to screen using a Quartz system designed by James. Using an external laptop to send raw text to the system allowed scores to be updated in real time, styled using the Quartz system.

The camera crew were directed by Kevin Watts who also produced all the graphical content for the LED screens including animated logos, timers and name straps.

Visitors were treated to an impressive, loud and action packed show with live performances from Ortis and Polly, audience participation and lots of gadget giveaways.

If this year is anything to go by, next year will be even more impressive!

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Today was the second part of Standard Life's new "LifeLens" product launch produced by Jack Morton Worldwide.

Replicating last month's event, James installed and operated XL Video's equipment along with Alex Roberts.

For this event, Basic Monkey supplied one of the two Catalyst systems required along with 2x Matrox TripleHead2Go boxes to feed the multiple LCD and plasma displays.

For two days this week, James has been in Wakefield at Litestructures' "LS-Live" venue to set-up and help program the Catalyst systems that will be touring with McFly for the next 3 weeks.

XL Video are providing the systems along with the F11 back and riser screens and MiSTRIP stage.

James has been working closely with Dan from THC Design, who normally uses Mbox media server, to integrate the Catalyst content in with his lighting show.

Tomorrow is the first show in Sheffield and James will be around for any last minute changes and to make sure the first show goes well. Steve from XL Belgium will be looking after the systems for the rest of the tour.

Can you spot the cheeky Basic Monkey in the photos?

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Standard Life are in the process of launching their new employee financial planning service and today was the media preview event.

The event was held in London's Hospital Club and was produced by Jack Morton Worldwide.

XL Video were asked to supply LCD and plasma displays, each showing different content, to be integrated into a white fabric covered set panel. This wall matched the other walls in the gallery and looked like a permanent feature.

Catalyst was chosen as the source for these displays for its ability to send multiple files to multiple destinations, while easily scaling the content to match the wall apertures.

Behind the stage, a 103" Panasonic plasma display was integrated into another white covered set panel.

'Buzz' words were projected onto the other walls from pillars made to look part of the building structure.

James programmed the 2x Catalyst systems to accept wireless commands from his iPhone, meaning that the display wall could be pushed back against the wall. Adjustments were made to the scaling for each window using wireless remote desktop.

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Samsung today launched two new products, the Galaxy S2 and the Galaxy Tab 10.1 at the Olympic park in Barcelona.

The event marks the start of the Mobile World Congress in the city and as such the media guests expect to be impressed. Jack Morton Worldwide certainly delivered on these expectations again.

Following on from last year's success with 360 degree projection, it was decided to use projection again but on to varied surfaces in both texture and depth.

The main screen was 17.5m wide and 6.25m high, rear projected using 4x Barco HD20s in a 2x way edge blend. Flanking this were two front projected 'media façades' which had blocks at differing depths. 2x Barco R22 machines on their sides were mounted on a tower at front of house to project onto these.

For the opening sequence a voile curtain was brought across the entire stage, backed by a black Kabuki drop. This was also projected from the front, using Barco HD20s.

As the guests walked in, the Samsung Unpacked logo looped on the voile, followed by two teaser videos. After a countdown intro the Kabuki drops and the cloudy sky parts slowly as the voile curtain opens with carefully matched speed. Tied in with this, the main screen reveals an image with the product name.

The main show was divided into 4x stories, each with an opening video and product presentation graphics matched to the presenter's words. These were cued from script and designed to flow seamlessly.

Driving all the projectors were 3x XL Video Catalyst machines and Basic Monkey's 'Gorilla' Catalyst system output the 8 channels of audio used for the orchestral opening sequence along with the stereo audio for the rest of the show.

All the media servers were fed into a DVI matrix and were all inter-changeable in the event of one failing.

The show was triggered by our Jands Vista S3 console, making use of the carefully adjustable timing and transitions.

James programmed the show using content provided by Sangwha and Remedia, working closely with them to ensure a faithful representation of their concepts.

A show for invited guests is tomorrow following the same format as today but with a few alterations.

We're all wondering what next year's show will entail...

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Tim from XL Video managed the event on our behalf and implemented the system of 3x cameras, 4x channel HD-PPU, 3x Digital Projection machines and distribution.

We provided our 'Gorilla' Catalyst system which played video content, processed the camera feed and outputted the 3x way edge blended projection, all in one system.