Phil specified the 6x DigiSpots to project custom and stock content onto the cycs down the side of the room. Used in both 3 way merge and independent modes, James programmed the show on a Jands Vista T4 under the guidance of CWA.

ATC provided projection onto screens in the centre of each cyc, so when these were in use the DigiSpots would be used to project logos either side of the screen.

The day finished with an evening of X-factor styled karaoke, backed by appropriate stock video content and matching lighting colours.

Ruth Lorenzo was the special guest, performing 6 numbers. With access to the set list only briefly before the guests arrived, James programmed colour and gobo matched video and lighting states to re-enforce her performance.

[View with PicLens]

Having received sketch plans yesterday, James had 6x Robe ColorSpot 700 and 6x Robe ColorWash 700 moving lights, 2x Martin Atomic strobes, 8x James Thomas Pixellines, 6x 2lite molefays and 6x S4 19deg profiles to fit intro the notoriously tight venue. All equipment was provided along with James by HSL in Blackburn.

The moving lights were split between the floor, boxes, truss towers and a goalpost truss across the back on 2no Litech wind up stands. Matt Waterfield the LD arrived late morning and was happy with the deviations from plot made by James to fit into the venue. Room was made for the band's fastfold screens under the goalpost truss with a minimum of clearance.

Not sounding a very glamorous role, it did involved working in the bowels and heights of one of the most beautiful buildings in the UK. 100x Robe ColorWash moving lights in both 1200 and 2500 models were used on specially built rigs strapped to columns, on cases around the organ, or high up on the cathedral's walkways. Also, 9x A&O Falcon 7000 moving lights were used, in both beam and flower varieties with 2x hung from a truss suspended from the bell tower, a 200ft drop!

Harnessed up, James and Paddy spent most of the night lowering the wash moving lights from the high walkways on a builder's wire hoist. Then they made their way to the bell tower to drop the two huge falls of wire and motor chain.

[View with PicLens]

Andy Hurst is the lighting designer, who has passed his operating duties to Neil Carson of Enhance Production. HSL will be providing the lighting equiment: 16x James Thomas Pixelline 1044, 8x Martin Atomic strobes with XL Video providing 8x Martin LC panels. Video will be sourced from a MacBook pro provided by Andy running Archaos, cued by a WholeHog 3 triggered using SMTPE streamed from the band. The lighting will be controlled by Neil using a Chamsys MagiQ Pro from front of house.

The kit will be mounted into 4x dollys, each 2m wide and 2m high to accommodate a 2m square LC screen, with 4x Pixellines mounted horizontally above each other behind the screen, spaced with 2x Atmoics. Dollys were chosen for ease of transport and erection, since Pendulum will not be appearing at the top act at all the events and wont be blessed with an overnight rig on most, a fast stage turnaround is a must.

James will be looking after the maintenance of both the video and lighting aspects of the rig, also supervising the 'roll-on' to stage at the beginning of the act. This involves arranging the lift of all 4x dollys onto Litedeck to increase height and visibility of the screen, and then connecting the dolly looms to the control equipment and testing before show start.

The band will be appearing at:

• 53 Degrees, Preston, England
• Pinkpop Festival, Holland
• Isle of Wight Festival, England
• Planet Festival, Czech Republic
• Download Festival, England
• Sonisphere Festival, Holland
• Wolverhampton Civic, England
• Glastonbury Festival, England
• Rock Werchter, Belgium
• Heineken Opener Festival, Poland
• Oxegen Festival, Ireland
• T in the Park, Scotland
• Somerset House, London, England
• Pohoda Festival, Slovakia
• Gurtenfestival, Switzerland
• Global Gathering, England
• Ibiza Rocks Hotel, Spain
• Sziget Festival, Hungary
• Frequency Festival, Austria
• V Festival, Chelmsford, England
• V Festival, Stafford, England

Since this installation is done overnight, Ian would be in no fit state to go climbing all day to pull the motor chains up. James was asked to spend the day on site to cover Ian's responsibilities. This involved positioning the rigging points on the GS truss, pulling and attaching motor chains and rigging the two house points for the audience truss.

[View with PicLens]